

#REVERB LP STICKERS SERIES#
These variations are as findings of the Research Project. An extra-condensed font (very narrow) is associated with early pressings, and medium regular font with later pressings through to the NJ label.Įxceptions are where an early title has association with Plastylite, possibly using Blue Note’s print supplier ( Keystone Printed Specialties, Scranton, PA) Prestige labels show many variations in typesetting, positioning, and spacing, suggesting frequent repeat orders, and well into the 7000 series colour tint and font style seem somewhat arbitrary. Below right the round geometric sans-serif Tempo font – usually later – though exceptions occur to squeeze in long text, and where there is a connection with Plastylite. Two issues of 7005, left is set in Erbar Condensed font, which are usually early manufacture. The main variation is where the record title and artist name (text above the spindle-hole). There are indications from label typography whether records within the NYC label period are first/ early pressings or later pressings. It can be most safely described as an “early pressing”.The term “later pressing” is probably the most accurate way to describe what is clearly not a first pressing but still an “original Prestige”, that is, from within the period of Prestige Records ownership, prior to its sale to Fantasy Records in 1971. Illustrated below are two copies of early title – PRLP 7094 Miles Davis Cookin’ – the first on NY label, the second a later pressing on NJ label. The NY label ran for two years and issued many historically important recordings of Bop, notably Miles Davis, many of which went on to second and subsequent pressing, hence the stature of the NY label as the mark of early pressings. After some years issuing 10″ microgroove records (and 78’s in the case of Blue Note), in the mid 50’s both independent jazz labels moved into the new 12″ LP format, marked by Prestige with the Yellow/Black “Fireworks” Label.Įxample below, one of the first 12-inch microgroove LPs from Prestige manufactured 1956, Van Gelder mastered – hand-written initials RVG – and pressing by Abbey Manufacturing (AB) (1955-8)īattle of the Titans: Alfred Lion’s Blue Note vs Bob Weinstock’s Prestige, with master engineer Rudy Van Gelder running with both the hare and the hounds. NY y ellow/black “fireworks” Label 446 W. Last updated: Septem– OJC and Prestige 70thĠ.2 Prestige origins – 10″ LP record, label – early ’50s – deep grooveġ. Do not pull up directly or you risk removing part of your sticker as well.Īny taxes, duties and customs procedures are the clients' sole responsibility.An Audiophile’s Guide to the Prestige and New Jazz label – Overview

Start in a corner and pull diagonally while maintaining the transfer paper parallel with the surface. Once the sticker is fully attached to the surface you can peel back the transfer paper. Apply sticker starting from the center with concentric motions.ħ. Gently peel the support sheet being careful that the logo remains attached to the transfer paper.Ħ. Place the sticker with the support sheet side up on a flat surface.ĥ. Check that the surface is large enough for your sticker.Ĥ. Cut through all the layers, DO NOT remove the transfer paper yet.ģ. Carefully cut the part that you want to use from the sheet.
#REVERB LP STICKERS FREE#
The surface must be plane or very gently curved, free of grease, dust, moisture and should NOT be freshly painted.Ģ. Clean the are where you want to apply your sticker and let it dry.
#REVERB LP STICKERS PROFESSIONAL#
Logo Moog : 180 x 60 mm x 1 piece and 90 x 30 mm x 4 pieces, as seen in the photos, pack of 5īecause we cannot add all the possible size / color combinations.įor this reason please send us a message with the size, color, model, etc you chose, just to be sure there's no misunderstanding and that you will be perfectly content with what you receive.Ĭontact us for any other vinyl jobs! We are available, professional and have great prices.ġ. Logo Moog : 180 x 60 mm x 2 pieces, as seen in the photos, pack of 2 The stickers come with the transfer paper already in place. Theīackground color will be the color of the object on which they are The decals are one solid color, they do not have a background. We are using only the best available materials money can buy! All our logos are cut on Oracal vinyl sheets.

Logo Moog - Pack of Adhesive Vinyl Stickers Decal
